Twenty Years


I remember it

as something I did

to make the body lighter.

I wrote, then burned.

I placed what remained on my tongue,

kept it there

until it dissolved.

There was a way

to stand in the sun,

eyes almost closed,

so that hidden forms appeared,

drifting slowly,

as if they belonged to another body.

I chose one.

I followed it. 

I held it still.

After that

it did not leave.

There is now a line inside me,

drawn from the head to the hip.

It does not loosen.

It does not speak.

I think of the years

spent touching the inside of the eyes,

as if there were an entrance there,

as if something might open.

Twenty years.

I continue to return

in the same posture,

exposing the softest part.

But there is also

another movement inside:

to close the hand,

to bring something to the mouth,

to break it,

to disappear with it.

I say I tried.

The body keeps its own record:

nails lengthen,

neck reddens,

skin stays damp.

One tooth

cracked.


Cover image: Image courtesy of Oliver Andrew Evans. © Oliver Andrew Evans 


Luís M. Araújo

trained as an architect in Portugal and France, and as a curator in London, where he is based. He is currently working on his first chapbook, Keyed Alike, which combines poetry and visual work. He co-founded lo, an imprint for artist books.

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